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One line, narrowing from thick to thin, can control the weight, movement, and emotion within a composition. See how in this step-by-step portrait drawing demonstration from Jeremy Caniglia.
A Figurative Art Convention & Expo scholarship recipient shares her work, her personal path through drawing portraits, and more, in this exclusive Q&A.
“While cadavers lack the characteristic of gesture, there is a nearly fantastical appreciation of the form sense, layer by layer,” Thompson says. “The study of the threading and composition of human form is an inexhaustible source of learning.”
View charcoal figure drawings by Stephanie Amato, whose work is strong in both concept and design.
If someone said to you, “I’m not talented enough to paint,” what would your response be? We posed this question to Lyn Boyer, and here's what she had to say...