Steve Curry, "River's Edge," oil on Belgian linen panel, 10 x 13 in.
Steve Curry, "River's Edge," oil on Belgian linen panel, 10 x 13 in.

Steve Curry is a landscape artist who has accumulated an impressive collection of awards from various art shows across the country. From the United States Library of Congress to being the Featured Artist at the Museum of Natural History, Steve has impressed tens of thousands with his talents. His artwork hangs in seven galleries, from California to Oregon and New Mexico. He recently released the art video workshop “Painting Afternoon Light: Imagined Landscapes” with PaintTube.tv.

Here, Steve shares his step-by-step painting demo of the landscape “River’s Edge.”

1. Initial Block in: In the beginning, I always start with a monochromatic (or tonal) block in to make sure I am happy with the spatial arrangement and design on the panel. The paint is applied fairly thin and in this shot it has already dried so I can then apply more paint and color as it progresses.

Initial block-in of the landscape painting demo
Step 1: Initial block-in of the landscape painting demo

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2. Each progression, after the initial block in, is a series of refinements. In this step, I’m starting to establish both value and color structure.

Step 2 of the landscape painting demo
Step 2

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3. A continuation of adding thicker paint / more color while reviewing the overall layout.

Step 3 - how to paint realistic scenes
Step 3

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4. At this point, I’m looking harder at the color choices and starting to build form in the trees and shrubs.

Landscape painting demo
Step 4

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5. Adding more of everything … Color, drawing of objects, edges, etc.

Step 5- how to paint realistic scenes
Step 5

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6. Final details such as tree trunks and branches. I’m keeping things loose while still telling the visual story.

Landscape painting demo
Step 6

7. All framed up and ready to be hung:

Steve Curry, "River's Edge," oil on Belgian linen panel, 10 x 13 in.
Steve Curry, “River’s Edge,” oil on Belgian linen panel, 10 x 13 in.

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Contemporary realism landscape painting
“Coastal Kings,” oil on Belgian linen panel, 15 x 21 in., Custom Deco Frame. This work was painted with my Carmel gallery in mind. I wanted it to evoke the romance of the early California painters who settled in Carmel and Monterey.
"Cypress Dusk," oil on Belgian linen panel, 24 x 30 in. This is another example of the lyrical trees that abound along the coast of California. In this piece I was going for the warm romantic light at the end of the day.
“Cypress Dusk,” oil on Belgian linen panel, 24 x 30 in. This is another example of the lyrical trees that abound along the coast of California. In this piece I was going for the warm romantic light at the end of the day.
"Warming Trend," oil on Belgian linen panel, 7 x 9 in. This painting started as a demo but captured my imagination so I further developed the colors in this simple layout, knowing it would be accented by this handmade frame.
“Warming Trend,” oil on Belgian linen panel, 7 x 9 in. This painting started as a demo but captured my imagination so I further developed the colors in this simple layout, knowing it would be accented by this handmade frame.
"Settling In," oil on Belgian linen panel, 10 x 13 in. I painted this with the intent to show the dramatic last slivers of light ducking behind the mountains. The title implies the peaceful end of the day and settling in for the night.
“Settling In,” oil on Belgian linen panel, 10 x 13 in. I painted this with the intent to show the dramatic last slivers of light ducking behind the mountains. The title implies the peaceful end of the day and settling in for the night.
"Soft Retreat," oil on Belgian linen panel, 7 x 9 in. I painted this in the same timeframe as "Settling In," processing the same thought of day's end and romantic light and all being right with the world for that moment.
“Soft Retreat,” oil on Belgian linen panel, 7 x 9 in. I painted this in the same timeframe as “Settling In,” processing the same thought of day’s end and romantic light and all being right with the world for that moment.
"Monastery Grove," oil on Belgian linen panel, 10 x 13 in. This is a beautiful old grove of Cypress trees growing in the foreground of a Monastery in Carmel, California, hence the name. The idea behind this piece was to capture the peaceful and spiritual nature of the scene.
“Monastery Grove,” oil on Belgian linen panel, 10 x 13 in. This is a beautiful old grove of Cypress trees growing in the foreground of a Monastery in Carmel, California, hence the name. The idea behind this piece was to capture the peaceful and spiritual nature of the scene.

Experience the freedom to paint from your imagination with Steve Curry’s Masterclass on shadow and light play. Preview “Painting Afternoon Light: Imagined Landscapes” here and get your copy today.


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