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Realistic still lifes

The Pursuit of Painting Light

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To create the illusion that there is a sense of space and air using just pigment, canvas, and brush, an artist must truly understand this concept, as explained by Matt Ryder.
Jessica Oliveras, "Selfhood," oil on linen, 65 x 54 cm

Realism Ambassador of the Week: Jessica Oliveras

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"I like to paint people on their most fragile and vulnerable expression, focusing on a very natural and organic presence..."
Classical Painting - “Split Screen” (oil on panel, 26 x 32 in.) by Juliette Aristides

Split Screen: A Quiet, Classical Painting

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Juliette Aristides on painting "Split Screen," a quiet scene from her studio window at the Gage Academy of Art.
how to paint realistic flowers pastel - Vera Kavura

Realistic Flowers in Pastel: High-Speed Demo

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In Kyiv, the capital city of Ukraine, pastel artist Vera Kavura can be found painting her favorite subject: flowers, which she describes as “natural, beautiful, and diverse.”
Detail of "Cloud Dance" by T. Allen Lawson, who is on the faculty of Plein Air Live 2023

Learn Plein Air Skills to Improve Your Realism

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Is it possible to dramatically improve your painting skills in just three days?
Contemporary realism wildlife art - Martin Wittfooth, "Occupy," 73 x 100 inches, oil on linen, 2012

A World of Ideas

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"Honing our craft with the aim that it might one day match up with and do justice to our inner ramblings is an ambition I hold to be sacred."
Eric Rhoads - How to Sell Your Art

10 Steps to More Art Sales in 2022

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With the new year here, I thought I’d share a few quick ideas to consider so you can plan and implement them now.
How to paint art - "The Caddy" by Lyn Boyer

Did You Land on Earth With Natural Ability to Draw?

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If someone said to you, “I’m not talented enough to paint,” what would your response be? We posed this question to Lyn Boyer, and here's what she had to say...
Lynn Sanguedolce in the art studio

Artistic Growth: A Peek Inside an Itinerant Artist’s Toolbox

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How one artist shed self-imposed limitations and gathered experiences as tools: "It was important to shed those skins, put my ego on a shelf—however painful and humbling the process—and open up to what else I might learn."
Dot Bunn, "Calves In The Field," 24 x 46 inches, Oil on linen panel

The Art of Selection

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The recreation of reality doesn’t happen by simply copying what you see, and the poetry of light does not reflect off a photograph. You need to make intelligent choices.
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