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Figure 3: A flesh tone mixture of lead white, hematite and giallorino II.

Decoding Caravaggio, Part 2

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Welcome to Part 2 of a three-part series by Timothy Joseph Allen, MFA. The focus this week is: Quest for the Holy Grail of Flesh Tones.
"San Marco Rain," egg tempera on board, 32 x 24 in.

An Egg Tempera Painting Demo: What Matters Most

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Inspired by the waterways of Venice, Stan Miller shares a step-by-step egg tempera painting demo.
realist portraits - Grace Athena Flott, "Let it Shine (Portrait of Kari)," 2022, oil on aluminum panel, 26 x 26 in

Painting of the Week: Let It Shine

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Remixing medieval and Renaissance iconography motifs to highlight contemporary body politics, Grace Athena Flott presents realist portraits of her underrepresented community alongside abstract works depicting patterns printed directly from scarred skin.
realistic landscapes - "Waiting Out the Storm" by Todd Price

Painting the American Story through Realistic Landscapes

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Historical painter Todd Price shares what he’s learned about painting realistic scenes in oil to help you get to "that spiritual place where you start to fall inside the work."
Contemporary realism art - Jong Lee, "Red," 2017, oil on panel, 20 x 16 in., available from the artist

A Symbolic Representation of Duality

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When a portrait is painted well, it is sometimes difficult to see beyond the surface beauty. In the case of ...
C.W. Mundy, "Portrait of Anne," 2006, oil on linen, 36 x 24 in.

C.W. Mundy on the Authorship of Painting

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Artists, art aficionados, and art collectors could greatly benefit from an understanding of the technical aspects of painting—what I call ...
Painting petals - "Heavenly Hibiscus," watercolor by Ann Pember

Ann Pember on Painting Petals

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Far from "effortless," Ann Pember walks us through her thought process and the decisions she makes before she even picks up the brush.
From "How to Draw Hands" with Carol Peebles

Favorite Moments from Realism Live 2022

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We're back for our third annual Realism Live online art conference, hosted by Eric Rhoads and Peter Trippi, and featuring many of today's greatest artists in the field of contemporary realism.
Painting portraits - Glenn Harrington, “Benjamin,” 2021, 11 x 14 in.

Painting Portraits: Distilling the Essence

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Most of us can polish a portrait, but is it honest? Does it tell the truth about the sitter? Can it stand alone as a painting?
Julio Reyes, "Sparrow," 2011, oil on copper, 10 x 8 inches

How to Paint on Copper: Materials and Methods for Artists

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Working on copper can provide a rewarding new experience, add a distinctive look to a painting, and expand your repertoire. Here's how to do it.
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