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Narrative art - contemporary realism

The Blessing of the Animals: A Figurative Art Step-by-Step

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Ann James Massey takes us through the process of creating a figurative painting that celebrates an annual Catholic tradition.
Painting with watercolor

Painting with Watercolor: Not an Effortless Endeavor

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An interview on using photo references, understanding one's art materials, color mixing, and more.
Manu Saluja, “Séquel #2,” 20 x 20 inches, 2021

A Realism Portrait Process: Séquel #2

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Manu Saluja shares her step-by-step process for creating a portrait of her friend, an art model who felt a personal connection to the symbolic African mask she holds.
How to paint with oils - still life

Artists Need MAPs (and not just to get around)

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Learn what Susan Blackwood means when she refers to an artist MAP to make your paintings a success. 
watercolor - using a photo reference for still life

Why I Paint From a Photo Reference

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Whenever I begin a new painting with glass or metal objects, I start with a photograph. I do this because ...
Realism self-portrait drawings

Realism Ambassador of the Week: Marichy Théo

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Meet this week’s top Realism Today Ambassador, self-taught artist Marichy Théo.
Joshua LaRock, "Western Idyll," oil, 40 x 40 in.

Distinctly American

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Inspired by Sharp, Couse, Bouguereau, and Moran, Joshua LaRock expresses his wonder of the West by combining figurative art with the barren and peaceful desert landscape.
Artist David Kassan

On Painting Antonio López García

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A feature article by David Kassan about "developing a state of mind, about being your own artist, about being who you are and bringing your own truths to your work, in the way that only you can."
how to paint realistic flowers pastel - Vera Kavura

Realistic Flowers in Pastel: High-Speed Demo

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In Kyiv, the capital city of Ukraine, pastel artist Vera Kavura can be found painting her favorite subject: flowers, which she describes as “natural, beautiful, and diverse.”
Realistic graphite portrait drawings

Realism Ambassador of the Week: Barb Benstein

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My dad wondered why I wanted to draw him, with all his wrinkles, etc. because his face tells a story, and I know that story.
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