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Portrait Painting: The Eternal in the Fleeting
Based in Seattle, Washington, Irish artist and educator Mark Kang-O'Higgins explains that he became an artist to understand the world and himself: "I paint oil portraits because they help me understand other people."
How to Design A Painting Composition
Through careful development of design, Zhaoming Wu takes the subject to a higher level and develops the conversion from idea to visual usability.
Unbridled: A Painting That Questions The Assumptions We Make
Representational artist Christina Szakonyi takes us behind the scenes of her equine painting, "Unbridled." Click through and ask yourself if you make any of these assumptions.
Contemporary Realism Inspiring Artist: Narelle Zeller
Meet this week’s top Realism Today Ambassador, Narelle Zeller.
Rose Frantzen Interview on Art Philosophy
Rose Frantzen creates figurative, serial, allegorical, and installation works in oil and multimedia. Listen to her podcast interview with Eric Rhoads, view a variety of her works, and learn about her exciting art projects here.
High Kitsch?
The confusion around the word “kitsch” is common because its usage has been largely isolated to low-skilled productions, but it doesn't have to be associated with something negative. Luke Hillestad explains.
5 Tips for Drawing on Toned Paper
Regarded as one of the foremost masters of figure drawing in America, Daniel Maidman has spent several decades grappling with the challenges and opportunities of drawing from life. Read his advice for drawing on toned paper in this guest blog post.
“Museum Studies” Teach the Language of Art
For five years, three days a week, Bradley Stevens participated in a "daunting" program for artists that allowed him to study and copy Old Master works in prominent museums. Learn about his "Museum Studies" series here.
7 Lessons on Individual Expression
Portrait painter Stanka Kordic on exploring the path of most resistance, and the lessons she has learned along the way.
Tangled Hierarchies
In his narrative oil paintings, Jay Senetchko invites the viewer to navigate a maze of strange loops. Tangled hierarchies of communal polytely and historical referencing conflate past, present, and future.









