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"My real art education was formed and continues to this day through careful observation and learning how to see." From "preposterous" art methods in the 1980s to glorious days of studying with masters, Garin Baker shares his inspiring path as an artist.

Christopher Benson shares an essay on danger of confusing the level of our craft with the quality of our art.

"By examining my own world and people closest to me on a daily basis, my paintings have begun to reflect the current season of my life."

Contemporary figurative artist Alan Feltus shares an essay on painting the nude female figure.

The skill of good observation, the ability to convey the three-dimensionality of form convincingly, and the cultivation of edge, color and value sensitivity—all stem from an understanding of the nature of the underlying structure.

Congratulations to Karon Tucker, whose work has been recognized in the monthly PleinAir Salon. "Not all animals have dramatic stories of survival but, they all have their own personalities and stories to tell. When I paint, I want to convey that soul that lies behind those eyes I’m peering through."

In his 80s — and still painting — Figliola has been referred to as “a contemporary realist, painting the Renaissance and making it today.”

In this full-length article, Nancy Tankersley explains the pros and cons of painting from photos. Bonus: Includes reference photos and the finished paintings.

How artists from all over the world are learning from master artists in real time, making new friends throughout the painting sessions, and getting through an unforgettable time together - through art.

Inspired by 19th century art, this artist loves to create representational paintings that include traditional symbols.