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Color harmony - "Three Anjou Pears" by Douglas Fryer

Quick Tip: Instant Color Harmony

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Watch as master artist and sought-after instructor Douglas Fryer shares a quick tip for finding color harmony.
Aaron Westerberg, "Daydreaming in Pink," 24 x 18 inches, oil

Aaron Westerberg on Visual Recognition

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Being able to impart your emotions into a painting is important in your work. Here's why, and how to pull it off.
Contemporary watercolor Watercolor portrait by Shelley Prior

Watercolor Artist of the Week: Be Inspired by Shelley Prior

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Like marriage, Shelley says, watercolor isn't without its challenges, including that of control.
How to draw with silverpoint - ArtistsOnArt.com

7 Secrets of Silverpoint

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Learning how to draw with silverpoint is easier than you think, once you have this advice.
Still life painting in a pair

The Pleasure of a Pair

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Bethann Moran-Handzlik reflects on her inspiration of painting pairs of floral arrangements.
Suzie Baker, "Top Hat," oil on linen panel, 16 x 20 in., 2017

Painting of the Week: Top Hat

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"My goal in this painting was to pull the subject's shadowed face out of the darkness, allowing only the light areas to contain detail while handling the dark of his clothing and chair with a gestural, even calligraphic brushwork."
Abstract realism portrait painting

Sherrie McGraw on Abstract Realism and More

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A feature on Sherrie McGraw and the wonderful synthesis of figurative realism and abstract realism.
The interior of Michael Coleman's studio space

Art Studio Tour with Michael Coleman

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Part studio, part museum, Michael Coleman has a collection of beloved and rare artifacts that inspire his paintings. Here, he takes on a private studio tour.
watercolor - using a photo reference for still life

Why I Paint From a Photo Reference

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Whenever I begin a new painting with glass or metal objects, I start with a photograph. I do this because ...
Realistic still lifes

The Pursuit of Painting Light

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To create the illusion that there is a sense of space and air using just pigment, canvas, and brush, an artist must truly understand this concept, as explained by Matt Ryder.
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