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"From my earliest interest in art, the human figure and face were prominent subjects for my work. Even as my style, scale, and mediums varied over time, I was consistently drawn to the figure for inspiration. I was therefore disoriented and nervous when, seemingly on their own, the figures that had long populated my paintings disappeared."
In this full-length article, Nancy Tankersley explains the pros and cons of painting from photos. Bonus: Includes reference photos and the finished paintings.
In this interview, Gabriela Dellosso tells us about her winning painting that captures a moment in the French Revolution.