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Congratulations to Jonathan McHugh, whose work has been recognized in the monthly PleinAir Salon.

There are a number of “rules” about how color should be used that aren’t true—or aren’t always true. Todd Casey explains this, explains the term "local color," and shares a bonus tip for mixing colors in this excerpt from his new book, "The Art of Still Life."

Terry Miura shares his process for painting evocative and mysterious figures: "The process I follow in creating my figurative works varies from piece to piece, but they start similarly..."

"For any other painter out there who wants to try gilding, but is as confused as I was," says Elizabeth Zanzinger, "I hope you’ll find my notes about the process helpful."

"By making your own paints, not only do you save money, but you also gain full control over the ingredients and quality of the paint." Patrick McGrath explains.

You have all become familiar with the necessity to set yourself apart, to bring something new, to find a way to make it yours as you develop your artistic voice. Be careful: If we set out with the intention of doing something different for the sake of standing out, this can easily set us down the wrong path.

What now? Where do we go from here? If there aren’t any rules in art, how do we know where to start?

The intangible thing that separates the greats from the “pretty goods” is rooted in a deep pool of ethos that is mixed into every puddle of color and directs every movement of the brush.

How a still life commission led to a gratifying collaboration between artist and collector.

Chantel Barber is known for her expressive paintings. In this guest blog post, she shares some of her favorite (and surprising) acrylic painting tips and techniques.