Ryan Brown shares advice on how to give yourself the best chance to succeed and become an expert at what you do.
Contemporary painter Nancy Boren shares her inspiration and process for painting “Fairy Dust on the Breeze.”
Jesse Lane broke from his tradition of realist colored pencil portraits to create “Abyss.” Here, he takes us into his drawing process.
“One of the frustrations with being an artist is hitting the proverbial ‘plateau,’ and if not handled correctly, such plateaus can make or break your artistic confidence,” says realist painter Tony Pro. Here are some of his tips to help you get past these bumps in the road to good painting.
“Art is an emotion,” says Reian Williams. “Whether it is from the artist or the viewer, it is meant to give a message.”
With a painting that honors a “return to classical romanticism,” Quang Ho shares his thoughts on glazing.
Edward “Ted” Minoff explains how to paint waves by breaking the subject down into various components.
“Varnish is the great barrier,” says Pamela Wilson, “protecting your painting from a lifetime of dust, grime, weather, heat, cold, age, sunlight, ex-boyfriends, and spilled milk. It brings to life every stroke, every glazed layer of subtle color and drama, deep in that shadow that you forgot about. We all bow to varnish.”
“The paintings I strive to create are about more than the atrocities they witnessed and were subjected to. These paintings aim to celebrate the fashion designer, the wife, mother, father, grandfather, tailor . . . stories of overcoming their past despite the odds against them.”
Regarded as one of the foremost masters of figure drawing in America, Daniel Maidman has spent several decades grappling with the challenges and opportunities of drawing from life. Read his advice for drawing on toned paper in this guest blog post.