One of the most common characteristics of my work is the abstract background. I use it to give power to the subject and weight to the painting. Here’s how I do it—and why.
This week's featured painting is a watercolor by Burton Silverman, who has been exhibiting his work for 70 years.
Australian artist Vicki Sullivan shares her inspiration for three contemporary realism portrait paintings.
When approaching a painting, this concept of fireflies can help the artist understand how one’s eye is naturally led around a subject.
At the heart of Roure’s virtuosity are his draftsmanship through constant sketching of tonal studies, and the empathy he so evidently feels with his sitters.
“My best paintings happen when the model is taking a break or even taking a nap,” the artist explains. “For me, it’s about capturing the human spirit, not just addressing the technical side of painting.” ~ Mary Qian
There is a lot of superb contemporary realism being made these days; this article shines light on a gifted watercolor artist.
Demystify the role of transparency and opacity in your oil paints for better results on the canvas.
A conversation on process, planning, design principles, and where artists should focus their studies.
There is a lot of superb contemporary realism being made these days; this article shines light on a gifted individual who enjoys painting on copper.